by Frank Koonce and Heather DeRome We at Strings By Mail are proud to be able to share this excellent new article by our good friend Frank and his collaborator Heather. Here are some of Frank’s many fine products currently available at Strings By Mail. ~John Wunsch For guitarists, transcribing Bach’s works that originally were […]
Read moreStaying Fresh & Evolving as an Artist The Strings By Mail Blog is happy to share these brief thoughts about arranging, which may keep one evolving as an artist, written by the well established Classical Guitarist Mariette Stephenson, and to offer her fine guitar quartet arrangement of Motzart’s Overture to the Marriage of Figaro […]
Read moreMy Struggle & How I Triumphed: Learning and Remembering the Notes on the Guitar – without the Struggle by Philip Glaser Editor’s note – Solid reading skills are the key to using the many fine available Etudes, these cards will jump start anyone’s efforts to establish excellent reading skills, as Philip’s story makes […]
Read moreOther Inspirations to Practice Music This article is about some ideas that developed before I was the owner of Strings By Mail. They helped some of my students at the Interlochen Arts Academy to stay inspired about practicing during those times when they might not be inspired enough to pick up the instrument for […]
Read moreOn how I came to write Guitar Academy… -by Richard Corr Guitar Academy In my early years of teaching guitar, I became familiar with most of the available methods. I went from one to another, hoping to find a method that covered all the important areas, one that I could confidently recommend to my students. […]
Read moreIntroduction by John Wunsch – owner of Strings By Mail Suzuki guitar programs have become an integral part of the ascendance of Classical Guitar and I have personally witnessed the positive impact Suzuki has had for my nieces as young musicians. I am gratified to be able to say that the Strings By Mail line […]
Read moreThoughts on Technique, Mechanics and Adjustment Points by Stanley Alexandrowicz (DMA, Manhattan School of Music) Correct and efficient technique is the “starting point” and pre-requisite for any type of musicality or interpretation. Technique should be thought of as a “higher level” stemming from the root-source of “mechanics.” Mechanics may be defined as “the efficient use […]
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