Top wood Side wood Back wood

Strings Choice

Let this Strings By Mail database help inform your string choice by learning what other players with similar instruments have chosen and why. We also invite you to join others in sharing your experience. To submit your information, please contact us.

180 results
  • Year2012
    Instrument typeClassical
    Builder / ManufacturerAlmansa
    Instrument Model459
    Top woodCedar
    Side woodRosewood
    Back woodRosewood
    Top finish
    PlayerChris Loney
    Strings Comment
    Polished basses reduce string noise; better 3rd & 2nd projection.
  • Year2013
    Instrument typeClassical
    Builder / ManufacturerAlpardolia
    Instrument ModelConcert model from China
    Top woodCedar
    Side woodCedar
    Back woodCedar
    Top finish
    PlayerAshley
    Strings Comment
    I used to change the string every 6 months with every day play 2hours, this brand can last long time, the the price is nice. The most important is l like the tone very much, and as time goes buy it keep the tone very well.
  • Year2012
    Instrument typeAcoustic
    Builder / ManufacturerAlvarez
    Instrument ModelAP70
    Top woodSpruce
    Side woodMahogany
    Back woodMahogany
    Top finish
    PlayerMatthew Read
    Strings Comment
    Flatwound string. Warm and full sounding. No squeeks!
  • Year2012
    Instrument typeClassical
    Builder / ManufacturerAna Espinosa
    Instrument ModelSpain
    Top woodSpruce
    Side woodRosewood
    Back woodRosewood
    Top finish
    PlayerMICHAEL ERNI
    Strings Comment
    The strings are very comfortable to play. Despite the pleasant tension they have the powerful sound of high tension strings. The sound can easily be formulated. The harmonics are very clear and the colors are unique!
  • Year2017
    Instrument typeClassical
    Builder / ManufacturerAnders Ahlborg
    Instrument ModelClassical
    Top woodSpruce
    Side woodRosewood
    Back woodRosewood
    Top finish
    PlayerCim Frode
    Strings Comment
    I like the combination because D'Addario is consistent in making strings. They sound warm and mellow but in the same time bright with a long sustain. I think they bring forth the greatness in every instrument.?
  • Year2017
    Instrument typeClassical
    Builder / ManufacturerAnders Ahlborg
    Instrument ModelClassical
    Top woodSpruce
    Side woodRosewood
    Back woodRosewood
    Top finish
    PlayerCim Frode
    Strings Comment
    I choose carbon when I need some more volume when playing with ensembles.
  • Year1994
    Instrument typeClassical
    Builder / ManufacturerAntonio Marin Montero
    Instrument ModelMarin-Bouchet
    Top woodSpruce
    Side woodRosewood
    Back woodRosewood
    Top finish
    PlayerBahar Ossareh
    Strings Comment
    Best bass-treble balance among all others on my guitar that are brilliant and clear. Normal tension strings work well without tensing my fingers. Can be used for weeks without the sound and sense of old ones.
  • Year1970
    Instrument typeClassical
    Builder / ManufacturerAria
    Instrument ModelClassical
    Top woodCedar
    Side woodCedar
    Back woodCedar
    Top finish
    PlayerMilo Chavez
    Strings Comment
    Makes my old guitar sound louder, and better sustain overall.
  • Year2005
    Instrument typeElectric
    Builder / ManufacturerAria
    Instrument ModelSTG-003 Strat
    Top woodAlder
    Side woodAlder
    Back woodAlder
    Top finish
    PlayerAnonymous
    Strings Comment
    I play mostly clean, fast, and LOUD through a Twin Reverb or a Tweed Reverb, heavily modified Blues Junior. Urban gospel in 300+ seat venue. I need lots of punchy low end from the bass strings and nice sparkling Fender cleans from the treble strings. Been using GHS Nickel Rockers for several years. They're the right sound for a Strat and Tele.
  • Year2002
    Instrument typeClassical
    Builder / ManufacturerAsturias
    Instrument ModelStandard 650mm
    Top woodCedar
    Side woodRosewood
    Back woodRosewood
    Top finish
    PlayerDarren O'Neill
    Strings Comment
    Round basses, articulate mids, crisp trebles.